Brian Robert Jackson (born October 11, 1952) is a keyboardistflautist, singer, composer, and producer. He is best known for his collaborations with Gil Scott-Heron in the 1970s. The sound of Jackson's Rhodes electric piano and fluteaccompaniments featured prominently in many of their compositions, most notably on "The Bottle" and "Your Daddy Loves You" from their first official collaboration Winter in America.


 [hide*1 Early life

Early life[edit]Edit

Brian Jackson was born on October 11, 1952 to Clarence and Elsie Jackson, respectively a New York State parole officer and a librarian at the Ford Foundation. He spent the first two years of his life in Bedford-Stuyvesant, Brooklyn, later sharing a house in the Flatbush section of Brooklyn with his uncle Howard, wife Dorothy and young cousin Sidney until his parents separated by the time he was five.

Unable to take on the responsibility of sharing mortgage payments alone, Elsie was forced to move to a one-bedroom apartment in Crown Heights, Brooklyn until she remarried in 1968.

Jackson studied music in Fort Greene with his mother's childhood teacher, Hepzibah Ross (fondly called 'Aunt Heppie') with whom he took lessons for seven years. When Elsie was unable to continue payments for lessons, Aunt Heppie granted him a scholarship, simply stating that Jackson showed 'great promise.'

From 1965-1969 Jackson attended Brooklyn's Erasmus Hall High School, where he met other musicians and began to form bands on the outside while participating in school music programs.


Jackson met Gil Scott-Heron while the two were attending Lincoln University (Pennsylvania).[1] They began a decade-long writing, producing, and recording partnership. Jackson composed most of the music that he and Scott-Heron together performed and recorded. In 1973, the two released their first album together, Pieces of a Man,[2]with Ron Carter on bass. Other notable albums include Free Will (1972) and Winter in America (1974), which was the first to have Jackson receive co-billing, and which was later described by Barney Hoskyns in UNCUT as "a masterwork of ghetto melancholia and stark political gravitas".[3] His biggest hit was with Scott-Heron, 1974's "The Bottle". By 1979, they had recorded ten albums, with other unreleased material surfacing on subsequent Scott-Heron releases following their 1980 split.

Jackson continued to be active in the 1980s and 1990s, working with Earth, Wind & FireStevie WonderWill Downing and Gwen Guthrie.[1] Jackson's first solo album,"Gotta Play" (released October 2000), included guest performances by Roy Ayers and Scott-Heron. Jackson's other credits include work with Roy AyersKool and the GangJanis Siegel (of Manhattan Transfer), Will DowningGwen GuthriePete Miser of (Radio Free Brooklyn) on his solo album, "Camouflage is Relative"Alabama 3"MOR", and Carl Hancock Rux ("Homeostasis").

Brian Jackson is still actively performing and recording.


with Gil Scott-Heron[edit]Edit

Gil Scott-Heron & Brian Jackson[edit]Edit



  • "Ain't No Such Thing as Superman" 7" (1975), Arista
  • "(What's The Word) Johannesburg" 7" (1975), Arista
  • "The Bottle" 7" (1976), Arista
  • "Hello Sunday, Hello Road" 7" (1977), Arista
  • "Under The Hammer" 7" (1978), Arista
  • "Angel Dust" 7" (1978), Arista
  • "Show Bizness" 7" (1978), Arista
  • "Shut 'Um Down" 7"/12" (1980), Arista
  • "Willing" 7" (1980), Arista
  • "The Bottle (drunken mix)" 7"/12" (1980), Inferno

Brian Jackson[edit]Edit

  • Gotta Play (2000), RMG
  • Kentyah Presents: Evolutionary Minded featuring M1, Brian Jackson and the New Midnight Band (2013), Motéma

Will Downing[edit]Edit